Orkestratr is an always-on team for independent artists. It finds work you would never have seen, drafts the pitch in your voice and keeps track of the money. You and your manager decide every yes.
Why you: ambient strings for a desert landscape film, and your DNA lists "score for documentary" as a 2027 goal.
Why you: you arrange for string quartet and listed $500 as your floor for shorts.
Why you: warm, acoustic brief in your home market. Lower fit: no deadline given.
38 left out, including 6 trap beat-pack requests. Your boundaries say no trap.
Leads from the places you already look, then a pitch for each one.
Posts and clips drafted in your voice that learn your taste with every approve or reject.
The numbers in one place, deal terms checked, and money you earned but never collected.
Artists told us leads matter most. Leads only work when they fit, so your Artist DNA comes first. Each step opens once you've walked through the one before and said it's right.
Your story, catalogue, voice and boundaries, drafted from what you tell us and your public presence, then corrected and confirmed by you.
Work found on opportunity sites and in the groups you belong to, filtered through your DNA, with one line on why each fits.
Every lead becomes a pitch in your voice, sequenced on one board. A person sends every pitch.
Drafts that learn your taste, then ask-first posting on your own accounts with a preview of every post.
Accounts connected read-only, baselines agreed, and a weekly recap of what turned into work.
The royalty audit, deal terms and rights checks. Money you already earned, found and claimed.
Superfans and campaigns, once the audience is growing.
"This understands who I am."
Los Angeles composer and violist writing intimate, string-led scores for documentary and indie film.
Warm, plain-spoken, a little dry. Talks about the room a piece was recorded in before the gear.
No trap or EDM work. No unpaid "exposure" gigs. Never post about family.
Orkestratr watches the sites artists already use for work, and the Facebook, Instagram and Discord groups you're part of, only with your permission. It reads. It never posts in your groups.
Hi Dana, I've been following Salt Flats since your second update. The shot of the dry lake at dawn is exactly the kind of space I write for.
I score documentaries with a small string section, recorded in rooms that sound like the place on screen. "Basin" is a short piece in that direction. If you're thinking about music, I'd love to talk before you lock picture.
Accounts connect read-only. You agree the baselines, then each Monday you get a short recap: which leads turned into work, which posts moved people, and what to try next.
The royalty audit looks for money you've already earned and never collected. It needs no new relationship to pay off.
Each one knows what it can do alone, what needs your yes, and the one number it's judged on.
Remembers everything, hands out the work and brings each decision to the two of you. You give every yes or no.
Nothing skips a rung. The pilot runs on drafts only: Orkestratr prepares, and nothing goes out.
Observes and learns. Nothing is created or sent.
Writes and prepares. Nothing goes out.
Pilot is hereActs, but every single action gets your yes first, with a preview of exactly what goes out.
Routine tasks you've agreed run on their own and are summed up weekly. Only discussed once everything before has held up.
Every action is logged. Your accounts stay yours: nothing moves and no passwords change hands. Export your data, contacts and history whenever you like.
Keemakr runs the parts you shouldn't have to trust a startup with: who can see your records, where your keys live, and what an agent is allowed to touch.
records artist_dna_revisions read · write records artist_sources read · write connect firecrawl public pages connect apify-actor Instagram · YouTube · Spotify limits per run: item cap + USD ceiling
Each artist's DNA, sources and revisions live in Keemakr's records ledger, isolated per workspace at the database level. Orkestratr can only write fields it declared up front.
Connector keys sit in Keemakr's encrypted vault. Calls go through the capability proxy, so the department uses a connection without ever holding it. Disconnect, and sources wait with "connection required" until you reconnect.
The same platform runs Keemakr's other departments, so Orkestratr gets new connectors and controls without rebuilding them.
Composers, bands, producers, session players. We're opening a small first group, and the order of what ships is set by what works for them.
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No. During the pilot Orkestratr only drafts. Later steps move to ask-first, where every action shows you a preview and waits for your yes. Contracts, money, rights and public statements always stay with a person.
Only groups you already belong to, and only with your permission. It reads posts to find calls and gigs. It never posts in them, and it follows each group's rules. How you share that access is one of the things we're working out with pilot artists.
Yes. The Artist DNA works mostly from what you tell us. Public pages fill gaps when they exist. When something is missing, Orkestratr asks you instead of guessing.
Every lead is checked against your genre, goals, pricing floor and boundaries, and comes with a one-line reason. Anything you skip teaches the filter. Whether leads arrive as a daily digest or as they appear is your choice.
You and the people in your workspace. Orkestratr runs on Keemakr, which keeps each workspace's records isolated, stores connector keys in an encrypted vault, and logs every action.
Export your data, contacts and history at any time. Your social and streaming accounts were never moved, so there's nothing to hand back.
Tell us who you are. We'll go find the work.